Video and Sound Production | Task 1: Audio Dubbing & Sound Shaping
8/4/24 - 29/6/24 | Week 3 - 10
Iman Mikudim | 0338004 | Section 1
Video and Sound Production | Bachelor of Design (Hons) in Creative Media
Task 1: Exercise 1 (Audio Dubbing) & Exercise 2 (Sound
Shaping)
SECTIONS
- Exercise 1: Audio Dubbing
- Exercise 2: Sound Shaping
INSTRUCTIONS
Exercise 1 | Audio Dubbing
For this task, we must sync the required audios
in Premiere Pro (speech and sound effects only, no music) for a scene from the film "Everything
Everywhere All at Once".
Process
1. Watch the video on Premiere Pro
timeline.
Fig 1.1
Muted Video Scene | Week 4 (15/5/24)
2. List down each scene on a spreadsheet along
with the sound effects for each scene.
Fig 1.2
Initial Spreadsheet for Scenes (Group) | Week
4 (15/5/24)
We were initially divided into groups of
five to speed up the task, and I was
assigned with distributing each scene to
each member so that they could record
details on each scene, specifically the dialogue, sound effects, and ambience sounds.
Fig 1.3 Final Spreadsheet for Scenes
(Individual) | Week 4 (15/5/24)
However, after watching the scene in
detail, I realized that there were more
sound effects that could be added, so I
tried to incorporate as many as
possible.
3. Record dialogue with phone, and search
sound effects online.
Fig 1.4 Dialogue Recordings | Week 4
(16/5/24)
Fig 1.6 Placement of Dialogues & Sound
Effects | Week 4 (16/5/24)
I began by placing all of the dialogues,
ensuring that they matched the characters'
mouth movements, and then added sound
effects where I saw fit.
Fig 1.7
Adding Pitch Shifters | Week 4
(17/5/24)
After that, I began adding pitch
shifters: a low voice for Waymond, a
medium voice for Deirdre, and a
high-pitch voice for Evelyn, to make
it easier to distinguish between the
three.
Fig 1.10
Audio Breakdown Spreadsheet | Week 4
(17/5/24)
We were initially divided into groups of five to speed up the task, and I was assigned with distributing each scene to each member so that they could record details on each scene, specifically the dialogue, sound effects, and ambience sounds.
However, after watching the scene in
detail, I realized that there were more
sound effects that could be added, so I
tried to incorporate as many as
possible.
3. Record dialogue with phone, and search sound effects online.
I began by placing all of the dialogues,
ensuring that they matched the characters'
mouth movements, and then added sound
effects where I saw fit.
After that, I began adding pitch
shifters: a low voice for Waymond, a
medium voice for Deirdre, and a
high-pitch voice for Evelyn, to make
it easier to distinguish between the
three.
Exercise 2 | Sound Shaping
- Voice of phone call.
- Voice coming from inside of closet.
- Voice of toilet/bathroom.
- Underground cave.
- Alien/ Orc voice
(ii) Process
Note: Audio sounds in this portfolio are presented in mp4 format only for recording purposes because they cannot be uploaded as mp3 files. The original mp3 files are linked to my Google Drive.
The original audio was recorded on my iPhone using the 'Voice Memos' app and then transferred to Adobe Audition on my PC. The following line was recorded for 5 seconds: "I was thinking about what we discussed yesterday and I believe we should consider a different approach."
Steps: Effects Rack > Filter and EQ > Parametic Equalizer (adjusted as needed).
Steps: Effects Rack > Reverb > Reverb > Room Ambience (adjusted as needed).
Steps: Effects Rack > Reverb > Convolution Reverb > Massive Cavern (adjusted as needed).
Steps: Effects Rack > Time and Pitch > Pitch Shifter > Stretch (adjusted as needed).
Steps: Effects Rack > Time and Pitch > Pitch Shifter (adjusted as needed).
REFLECTIONS
Overall, both exercises have significantly enhanced my understanding of fundamental camera shots and framing techniques, as well as the intricacies of color grading and correction, and audio manipulation and adjustment (sound shaping). These experiences have been invaluable in familiarizing myself with the functionalities of Adobe Premiere Pro and Adobe Audition.