Video and Sound Production | Exercises
24/4/24 - 5/6/24 | Week 1 - 7
Iman Mikudim | 0338004 | Section 1
Video and Sound Production | Bachelor of Design (Hons) in Creative Media
Exercises
INSTRUCTIONS
Week 1 | Introduction to Adobe Premiere Pro
In week 1, we had a basic
introduction to Adobe
Premiere Pro. Our exercise
was to arrange the video
clips provided in the
right order.
The first set of video
clips are of a "Mints"
commercial and they are
numbered accordingly so we
just had to arrange them
in sequence.
Fig 1.1 "Mints" video
clips | Week 1
(24/4/24)
Fig 1.2
Arranging video clips
from the "Mints"
commercial | Week 1
(24/4/24)
Fig
1.3 "Mints" final
edited video |
Week 1 (24/4/24)
Fig 1.1 "Mints" video clips | Week 1 (24/4/24)
Fig 1.2 Arranging video clips from the "Mints" commercial | Week 1 (24/4/24)
Fig 1.3 "Mints" final edited video | Week 1 (24/4/24)
The second set of video clips are from a
Doritos commercial, but they aren't numbered in
order, so we have to watch the clips to find out
the sequence.
Fig 1.4
"Doritos" video
clips | Week 1
(24/4/24)
Fig 1.5 Arranging video clips
from the "Doritos"
commercial | Week 1
(24/4/24)
Fig 1.6 "Doritos" final
edited
video | Week
1 (24/4/24)
Fig 1.4 "Doritos" video clips | Week 1 (24/4/24)
Fig 1.5 Arranging video clips from the "Doritos" commercial | Week 1 (24/4/24)
Fig 1.6 "Doritos" final edited video | Week 1 (24/4/24)
Week 2 | Framing & Storyboarding
(i) Reflection
Shot size, camera angle, and composition are all elements of visual storytelling used in film, television, and other visual media.
Fig 2.1 Different Camera Shot Sizes | Week 2 (1/5/24)
- Shot size: The amount of space visible within a frame, directs our attention to specific details or provides a broader view of the scene. Close-up shots immerse us in the emotions of characters, while wide shots establish context and setting.
- Camera angle: The position of the camera in relation to the subject, influences how we perceive characters and events. A high-angle shot can evoke vulnerability or powerlessness, while a low-angle shot conveys dominance and authority.
- Composition: The arrangement of visual elements within a frame, enhances storytelling by guiding our focus and creating visual impact. From the placement of characters to the use of colour and lighting, composition shapes the viewer's experience and conveys meaning and emotion.
(ii) Quiz
(iii) Further Tasks
We
were then
asked to use
our phones
to shoot 8
videos
according to
the
requested
shot size.
Page 19
explains
what is ¾
MCU angling,
and Page 20
provides
detailed
instructions
for the
shooting
exercise. We
are to edit
our videos
and add
captions to
it. I
combined all
of the
videos and
added some
music
because the
background
noise was
too loud and
distracting.
Fig
2.2 Shooting
Exercise |
Week 2
(1/5/24)
Next,
we were
instructed
to watch the
short film
"Lalin" and then
edit and
arrange a
series of
footage shot
by our
seniors in
accordance
with Lalin's
scenes. Mr
Martin also
gave us an
editing
tutorial video
to help us
with this
exercise. (Note: Edit to 35
seconds
sharp, Trim footage:
Mark in (I),
Mark out
(O)).
Fig 2.3
Collection of
Clips | Week 2
(1/5/24)
Fig
2.4
Video
Timeline
| Week 2
(1/5/24)
The
guy
at
the
beginning
and
end
of
the
video
should
disappear
and
"dip
to
black";
we
were
told
to
use
the
"cross
dissolve"
effect
for
this.
I
particularly
learned
how
to
add
sound
effects
and
images
for
this
exercise.
I
trimmed
the
music
at
specific
points
and
gradually
turned
up
the
volume
from
the
start
to
the
climax
before
turning
it
down
toward
the
end
to
make
it
match
the
video. Finally,
I
added
a soundtrack to
create
an
emotional
atmosphere,
which
I
thought
matched
the
theme
of
the
video.
Fig
2.5
Final
Edited
Video |
Week 2
(1/5/24)
We
were then
asked to use
our phones
to shoot 8
videos
according to
the
requested
shot size.
Page 19
explains
what is ¾
MCU angling,
and Page 20
provides
detailed
instructions
for the
shooting
exercise. We
are to edit
our videos
and add
captions to
it. I
combined all
of the
videos and
added some
music
because the
background
noise was
too loud and
distracting.
Next,
we were
instructed
to watch the
short film
"Lalin" and then
edit and
arrange a
series of
footage shot
by our
seniors in
accordance
with Lalin's
scenes. Mr
Martin also
gave us an
editing
tutorial video
to help us
with this
exercise. (Note: Edit to 35
seconds
sharp, Trim footage:
Mark in (I),
Mark out
(O)).
The
guy
at
the
beginning
and
end
of
the
video
should
disappear
and
"dip
to
black";
we
were
told
to
use
the
"cross
dissolve"
effect
for
this.
I
particularly
learned
how
to
add
sound
effects
and
images
for
this
exercise.
I
trimmed
the
music
at
specific
points
and
gradually
turned
up
the
volume
from
the
start
to
the
climax
before
turning
it
down
toward
the
end
to
make
it
match
the
video. Finally,
I
added
a soundtrack to
create
an
emotional
atmosphere,
which
I
thought
matched
the
theme
of
the
video.
Week 2 | Understand Storytelling
(i) Reflection
The three-act story structure is a popular narrative framework used in storytelling, particularly in film and literature. It divides a story into three distinct parts: the setup, the confrontation, and the resolution.
- Act One: "The Setup," the stage is set for the protagonist, their world, and the central conflict. This act culminates in the inciting incident, a pivotal event that disrupts the protagonist's equilibrium and propels them into action. Whether positive or negative, this incident ignites the story's momentum and sets the protagonist on their journey.
- Act Two: "The Confrontation," forms the heart of the narrative. Here, the protagonist encounters a series of obstacles and challenges that test their resolve and ingenuity. This act is a rollercoaster of progress and setbacks, divided into two halves: initial progress towards the goal and subsequent complications. It concludes with a major turning point, a crisis that forces the protagonist to reassess their strategies and motivations.
- Act Three: "The Resolution," the story builds to its climax. The protagonist faces their ultimate challenge or conflict, pushing them to their limits. The climax is the pinnacle of tension and drama, where the stakes are highest. Finally, the resolution brings closure, tying up loose ends and delivering a satisfying conclusion to the protagonist's journey.
(ii)
Quiz
(iii)
Further
Tasks
(ii) Quiz
(iii) Further Tasks
Week 3 | Storyboard
(i)
Reflection
Storyboarding
in filmmaking
serves as a
blueprint for
the visual
narrative, akin
to a comic strip
mapping out the
essence of a
film, animation,
or video game.
Comprising a
sequence of
illustrations or
images, it
offers a
pre-visualization
tool crucial for
planning shots,
understanding
narrative
progression, and
conveying ideas
to the
production
team.
These
detailed
storyboards
encompass
camera angles,
character
movements,
dialogue, and
even notes on
special
effects or
sound,
providing a
comprehensive
visualization
of scenes.
This aids
directors,
cinematographers,
and crew
members in
grasping the
envisioned
outcome and
preparing for
the filming
process.
Essential
in
pre-production,
storyboarding
facilitates
experimentation
with
visual
approaches,
identification
of
potential
issues,
and
necessary
adjustments,
ultimately
optimizing
efficiency
by
conserving
time and
resources.
(ii)
Quiz
(i) Reflection
Storyboarding in filmmaking serves as a blueprint for the visual narrative, akin to a comic strip mapping out the essence of a film, animation, or video game. Comprising a sequence of illustrations or images, it offers a pre-visualization tool crucial for planning shots, understanding narrative progression, and conveying ideas to the production team.These detailed storyboards encompass camera angles, character movements, dialogue, and even notes on special effects or sound, providing a comprehensive visualization of scenes. This aids directors, cinematographers, and crew members in grasping the envisioned outcome and preparing for the filming process.
Essential
in
pre-production,
storyboarding
facilitates
experimentation
with
visual
approaches,
identification
of
potential
issues,
and
necessary
adjustments,
ultimately
optimizing
efficiency
by
conserving
time and
resources.
(ii) Quiz
Week 4 | Production
(i)
Reflection
a. Production
Stages:
The
filmmaking
process
unfolds in
three crucial
phases. Pre-production
sets the stage
through
meticulous
planning,
encompassing
tasks such as
scripting,
casting, and
location
scouting. Production sees these
plans
materialize as
crews capture
footage,
requiring
seamless
coordination
and teamwork
to overcome
logistical
hurdles.
Finally, post-production
refines raw
footage into a
polished
masterpiece,
integrating
editing, sound
design, and
visual
effects. While
subsequent
stages like
distribution
and marketing
extend the
film's reach,
these three
phases
constitute the
backbone of
the filmmaking
journey, each
indispensable
in shaping
captivating
cinematic
experiences.
b. Production
Crew:
The
production
crew
comprises
essential
roles that
ensure the
seamless
creation of
a film. The director
spearheads
the project,
overseeing
its
entirety,
from
planning
scenes to
directing
actors,
while the producer
handles
logistical
and
financial
aspects,
securing
funding and
managing the
crew to
ensure
timely
completion
within
budget.
Collaborating
closely with
the
director,
the cinematographer
shapes the
visual
narrative,
selecting
equipment
and lighting
to evoke the
desired
mood.
Meanwhile,
the production
designer
crafts the
film's
aesthetic,
working with
the director
and
cinematographer
to construct
a
captivating
storyworld.
Simultaneously,
the sound
designer
enhances the
auditory
experience,
editing
dialogue and
music to
complement
the visuals,
and the editor
weaves
together the
footage,
collaborating
with the
director and
sound
designer to
create a
cohesive and
engaging
final
product.
(ii)
Quiz
a. Production
Stages:
b. Production
Crew:
(i) Reflection
a. Production Stages:
The
filmmaking
process
unfolds in
three crucial
phases. Pre-production
sets the stage
through
meticulous
planning,
encompassing
tasks such as
scripting,
casting, and
location
scouting. Production sees these
plans
materialize as
crews capture
footage,
requiring
seamless
coordination
and teamwork
to overcome
logistical
hurdles.
Finally, post-production
refines raw
footage into a
polished
masterpiece,
integrating
editing, sound
design, and
visual
effects. While
subsequent
stages like
distribution
and marketing
extend the
film's reach,
these three
phases
constitute the
backbone of
the filmmaking
journey, each
indispensable
in shaping
captivating
cinematic
experiences.
b. Production Crew:
The
production
crew
comprises
essential
roles that
ensure the
seamless
creation of
a film. The director
spearheads
the project,
overseeing
its
entirety,
from
planning
scenes to
directing
actors,
while the producer
handles
logistical
and
financial
aspects,
securing
funding and
managing the
crew to
ensure
timely
completion
within
budget.
Collaborating
closely with
the
director,
the cinematographer
shapes the
visual
narrative,
selecting
equipment
and lighting
to evoke the
desired
mood.
Meanwhile,
the production
designer
crafts the
film's
aesthetic,
working with
the director
and
cinematographer
to construct
a
captivating
storyworld.
Simultaneously,
the sound
designer
enhances the
auditory
experience,
editing
dialogue and
music to
complement
the visuals,
and the editor
weaves
together the
footage,
collaborating
with the
director and
sound
designer to
create a
cohesive and
engaging
final
product.
(ii) Quiz
a. Production Stages:
b. Production Crew:
Week 7 | Colour Correction & Colour Grading
(i) Reflection
Three primary tasks are essential when working with digital video footage: setting a picture profile, colour correcting the footage, and colour grading the footage. Colour correction is a technical process focused on making the footage appear as natural and realistic as possible. In contrast, colour grading is a creative process that enhances the footage by adding atmosphere and emotion.
Key colour terms used in colour grading software and cameras include hue, saturation, and brightness (HSB). Hue represents the colour itself, saturation indicates the colour's intensity, and brightness measures the colour's lightness or darkness. The HSB colour theory is applied to develop mood and colour schemes in films and videos.
Saturation determines whether colours "pop" or
become "muddy" based on the amount of grey in
the colour. Adding pure white or black to a
colour adjusts its brightness, making it lighter
or darker.
(ii) Quiz
